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A Doctor Who web comic.

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Submitted: April 1, 2012
Image Size: 1.6 MB
Resolution: 800×2529
Submitted with: Sta.sh

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SFTT ORIGINS: The Professorby *Girl-on-the-Moon

Cartoons & Comics / Digital Media / Comics / Pages

THIS IS NOT A TRICK. God I hate April Fools...
Anyway, in case you wondering how he got out of the Time War.
That is how.

Edit: A few tweaks.

I had an unimaginable amount of fun on this one. I'm experimenting with actual comic formats and getting away from the Sunday funnies 3-square-panels thing.

Also, Mark Bonnar is unreasonably attractive and a very good actor. Look him up if you haven't already.

I do no justice to his Scottish accent. Sorry Scottish people. I may stop trying to type it phonetically after this. I think I'm failing miserably and you all know he's Scottish by now.

Oh, but that has nothing to do with him being in Scotland. Sorry if that's confusing. It just sort of happened like that.

I'm very tired now. Hopefully this will hold you over until I'm all finished finals.

And yes Classic fans, I threw Drax in there. BOO YAH.

Oh and if there are any details of my Time War that don't match up with whatever the f*ck RTD wrote, I don't really give much of a shit. lol

Rest of the comic YONDER:

Critique by ~jahawk2009 Apr 7, 2012, 2:01:23 AM

The first five panels cutting between Drax & the Angel are very well done! The colours definitely work very well with the art and there is clear planning, thought and dedication shown due to the way shadows are coloured and on't show any indiscrepancies. The split panel featuring the Angel's head being blown apart (albeit temporarily) and the Professor reveal is very well executed through the split panel.

The design of the TARDIS interior is very nicely done, particularly so in my opinion as I'm a fan of the Classic interior. The roundels on the wall are well done and the colour scheme is drab but effective. As the Professor is looking towards the Time Rotor, the colours are once again gorgeously done and work very well with your art.

Finally, the panels with the Angels and the Scottish mountains show such a great contrast but work very well in their own ways. I particularly love the grimness of the Scottish hills in contrast with the oranges of Gallifrey.

Also, this is the first time I've seen the Professor and not instantly reconciled him with Simm's Master, so I'm not sure what you changed but it did the trick, for me at least.

What do you think?

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Critique by ~Hope-is-my-life Apr 2, 2012, 7:11:35 PM

Oh I love it well done you have unbelievable talent, now I've finished gushing lets critic the hell out of this thing.

I love the explanation of how the professor got stuck on earth it works I mean it makes sense and explains why he can’t just wiz back home in his TARDIS but is stuck instead making tea with little mash-mellows, in a dreary cabin somewhere in Scotland.

My only problem with this explanation, and honestly I only noticed this just now (too busy laughing to notice inconsistencies whilst reading) but didn't the doctor say that if an angel got inside the TARDIS it would be bad I mean really bad, like sun exploding sort of bad. But honestly I’m happy to overlook that because this makes a great story and a great laugh and honestly I ignored all the inconstancies in plot that RTD dreamed up before.

I absolutely adore the last three panels good use of minimal language, and the third panel in, " this would be a lot easier with two friggin eyes," because honestly haven't we all screamed at the television when the angels appear " WINK GOD DAM YOU WINK DONT BLINK!!!" I know I have.

Once again well done and as always I look forward to seeing more of your work.
Hope